Throne of Blood

Macbeth was the first Shakespeare play I encountered. It captured my imagination more than any other, partly perhaps because it is more concise: it tells a simple tale and wastes no time. I remember at age sixteen that I thought Lady Macbeth was the main influence of the tale, that Macbeth, left to his own devices, would have done nothing.


Recently, I watched Throne of Blood, which is Akira Kurosawa’s (1957) filmic take on Macbeth. Though dated in some ways, I found it fascinating, and I thought he placed much more emphasis on the Lady Macbeth figure, Asaji. Because Japanese society was so hierarchical and constricted, particularly for women, it allowed Kurosawa to demonstrate Lady Macbeth’s (Asaji’s) influence. Although women were restricted in Macbeth’s time, it was even more so for Japanese women. Kurosawa created a film that showed subtly and cleverly, how a woman can manipulate a man. Washizu (Macbeth) is not very bright, but he has all the power. Asaji must be very careful how she manipulates him. In this sense I think Kurosawa was limited by the constraints of following the play. Asaji’s collapse is too quick, too brief – she was stronger than that (as was lady Macbeth in the original play).

But enough preamble; this is a bit self-indulgent (and long), but I hope you will bear with me. Without having seen the film, this will mean nothing to you, so all I can do is recommend it very highly. Perhaps if any of you watch it, you can then come back and agree or disagree with me.


 The film begins…

throneblood-001Throne of Blood – The Review